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Today I’d like to write about a topic that I find perplexing: what is the best way to define the term ‘writing’?
Should we use writing as an omnibus term for every aspect of creating a text?
Or should we use it more narrowly to refer to the initial act of getting words down on paper?
Undoubtedly, we all do both, depending on context.
Sometimes we think of writing as a soup-to-nuts term for everything from conception to publication, and other times we think of it simply as the moment of composition, distinct from both planning and revising.
While I’m far from consistent in my usage, I know that my tendency is to use the term broadly. Is this just a lack of precision on my part or is there a benefit to being inclusive in the way we define writing?
When I hear myself offering a broad definition of writing, I’m often reminded of a mama-and-baby yoga class that I attended when my first child was born.
This class was full of babies nursing, babies getting changed, babies learning to crawl, babies being irresistible, but it wasn’t full of anyone doing yoga. And the teacher used to say, as each class would finish without any actual yoga having been practiced, “It’s all yoga!”. Which of course it wasn’t. It was good and yoga is good, but that didn’t make it yoga.
In using a broad category of writing, we may be engaging in a similar sort of self-serving inclusivity. Sorting my sock drawer? Well, I can’t write with cold feet and I can’t find my favourite socks and … it’s all writing!
In a post last year on not-writing, I talked about ways that not-writing can overwhelm our attempts to write. Needless to say, allowing ourselves to define writing too broadly can hamper our productivity.
But is there any benefit to including planning and revising - both obviously essential steps in the creation of a text - in our concept of writing?
To my mind, the benefit of thinking of writing broadly is that doing so may allow us to deepen our commitment to planning and revising.
When we think of writing narrowly, we are naturally treating it as separate from planning and revising. And if that separation works well for you, that’s exactly what you should do.
For some writers, however, treating writing as a category that includes a broader range of activities can be a helpful strategy for dealing with persistent writing difficulties. If we think of planning as a species of writing, we can then use writing as a way of clarifying our own thinking.
When we hold off writing in order to plan what we need to say, some of us will flounder. Being stalled in the pre-writing stage is pretty common in the students that I see; I often see writers who have pages and pages of outlines and sketches, but who don’t feel ‘ready to write’.
I’m not saying that writing is the only solution, but I know that writing generates writing. Starting early may confirm that you are in fact not ready, but it also may generate the text that you need or may lead you to a better understanding of your own topic.
Similarly, if we think of revising as species of writing, we can then use writing as a tool for extensive revision.
When we think of revision as distinct from writing, we may be less likely to engage in the sort of vigorous revision necessary to move from first to final draft.
That is, when writing is seen more narrowly, revision can be seen as conceptually different from writing, making it more likely to become a limited project of cleaning up mistakes. That limitation shuts off the possibility of using rewriting as a way of radically strengthening a text.
Overall, if we use early writing as our way of figuring out what needs to be said and late writing as our tool for reshaping our text into the most suitable form, we are more likely to break out of the insularity of our own internal thought processes.
The act of writing always anticipates the public. By framing all our writing activities as writing, we may give ourselves greater access to the power of writing to organize and reorganize our thoughts.